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Users' Pictures
Anne Songhurst

I mainly use the instrument for individual items in a still life set up, i.e. getting the correct perspective when drawing patterns on jugs or lace, as it is very difficult to follow a pattern and get the perspective right at the same time. Photos distort too much so I find that the camera lucida is very helpful in checking the accuracy of my work


Six White Roses



Jug and clementines


Royal Copenhagen & Raspberries


Jasperware jug with Peaches
 
To see more of Anne's work please visit her website here.
   
 
 

Keith Hook

I displayed the photograph full screen on my portable computer adjusted the brightness etc and the aligned the Camera Lucida and drew the image down onto my watercolour paper omitting items I didn't feel should be in the final painting.  This is certainly a very good way of quick paintings from photos.  The original photo by www.CheshireCam.co.uk

   

Hooper Turner

I became interested in the camera lucida while researching Ingres's great
body of portrait drawings.  David Hockney suggests in Secret Knowledge that
Ingres perhaps used a camera lucida to make the drawings.  After recieving a
University of Georgia Center for Arts and Humanities Grant, I purchased a
camera lucida and payed students, faculty and community members to sit for
me.  The drawings took between 40 minutes and an hour.  I found that the
camera lucida allowed me to make highly accurate likenesses on a very small
intimate scale.  I used toned paper as a middle value, drew with very sharp
graphite, and worked white acrylic paint into the drawing to add a layer of
depth.  The light was set up to imitate 19th century daguereotypes.  I
continued to draw portraits after the grant ran out and have accumulated
over 100.

To see more of Hooper's work click here to visit his website   http://www.flickr.com/photos/hooperturner/

 
another bluhalo production